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because he claimed they were ‘set in forms no longer answering to the needs of the times’
and the political and historical context of the play
used understanding of status to create physically interesting work
The article has been divided into three main sections: before the performance
Woyzeck, by Georges Büchner Theatre History because he claimed they wereAfter eight years of the old specification, working with either The Beggars Opera (difficult language and brief songs) or The Trojan Women (all poetry and no action), the Unit 4 of the new specification is a refreshing change. It allows us to choose from three exciting texts to explore from a directorial view point (section A and B) and through review and research (Section C), two out of the three from different eras. These are 525 BC65AD
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