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The photograph holds the Bend at its tightest curve
the numerals trailing the name suggesting a plate pulled from some larger compendium of American likenesses — Washington rendered
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Alford Q Collins 1897 — a studio portrait fixed in the late Gilded Age
Charles Sumner 1874 Bloody_Mary_Art The photograph holds the BendCharles Sumner 1874. The Massachusetts senator rendered in the final year of his life, when the great abolitionist voice had thinned to a whisper and his Civil Rights Bill still languished in committee a portrait shadowed by the unfinished business of Reconstruction itself. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical societies, and the
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