MOM photography moreWe do not care about

moreWe do not care about the bar and yet we find we cannot help but care a little

moreIt has the characteristics of a catalogue and yet is to be understood entirely as an artists' book – as an independent work

a high-rise

wadded with historicity

MOM photography moreWe do not care aboutThe books title reveals the identity of its protagonist: Kathleen McCain Engman has been posing for her son Charlie since 2009. And yet MOM shows us a face we never really get to know: morewhile we soon become acquainted with her freckled complexion and intense gaze, her position in the images becomes increasingly unclear. Engman first began shooting his mother because she was available, ever willing to meet the demands of one of her children. But