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A tree whose hungry mouth is prest
The trick is to be able to travel out on the roadways to get to subjects like this
From my earliest paintings over twenty years ago
I'll often head over to this less-traveled avenue
Vivid cityscape A tree whose hungry mouthThere's an old saying about how a blank page is a writer's worst enemy, and this wisdom holds true for artists, too. When I start a new painting, I like to establish its "key" immediately by blocking in the sky (the source of light) or by splashing color on the canvas to eliminate the stark white. I refer to the latter approach as an "underpainting" because it supports the final work from behind the scenes. With this new subject from 7th Avenue in
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