Between 1991 and 1992
isn’t it simply a way in which to appropriate his own work
NOTES FROM NEW MEXICO
Kristen Wentrcek & Andrew ZebulonHOG TRAPProse by Willis PlummerOffset-Printed Publication6
Fergus Feehily Industrial Design Between 1991 and 1992OIL, CARPET TACKS, ACRYLIC, GESSO, GOUACHE, TWIGS, THE OCCASIONAL SPRAY PAINT, PENCIL, DABS OF WATERCOLOR, FOUND PHOTOGRAPHS, FOUND FRAMES, BANDAGES, A PAPER BAG OR TWO, SCREWS, ALUMINIUM FOIL, SWEET WRAPPERS, SCRAP WOOD. THE MARGINAL MEETS IN THE PAINTINGS OF FERGUS FEEHILY (1968, DUBLIN, IRELAND), PAINTINGS THAT THEMSELVES STAND AT THE PERIPHERY OF CONTEMPORARY PAINTERLY CONVENTIONS WHOSE SUBTLE ACTIVITY, AS MARTIN HERBERT OBSERVES, IS ON ITS WAY