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Maintaining anonymity as an Unidentified Free Artist
hyper-chromatic visuals that feel like portals rather than mere prints
dated and signed en verso by Whatson
in conjunction with his “Tokyo First” exhibition
Where the Land Meets the Sea Shepard Fairey Maintaining anonymity as an UnidentifiedProvenance the edition was circa 1000, on the occasion of the artist's exhibition at Phillips, London, the full sheet printed to the edges, sheet 84cm X 59. 5cm (33 1 3 inches X 23 2 5 inches). Condition Excellent condition as pictured. In house archival framing available.
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