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Grey uses the instrument in the gentlest ways
Personnel: William Parker - bass
and a nascent romance
he bludgeoned himself with over-analysis and self-loathing
The Neon Machine TSOV-180 Grey uses the instrument inThe Neon Machine, the fourth album from Austin musician Abram Shook, is a dystopian dance party, and everyone's invited. Juxtaposed against 2017's sepia tinged, quietly reflective Love at Low Speed, the new record's mix of irresistible beats and slyly humor ous lyrics might seem like a 180 at first glance: a giddy, knowing soundtrack to the end of the world. Those familiar with Shook's previous work, however, understand that he has always explored his
