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and decorative motifs follow one another with grace
British Museum: https://www
the first rays illuminate the peak that breaks the limits of the table
This gives rise to a craftsmanship that retains the Congolese aesthetic
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 25, 1834 sculture and decorative motifs follow oneStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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